In the exhibition ”The green thread”, it becomes instantly clear that Maria (Moja) Adlersson has gravitated towards Concrete Art and her geometric expression with precise lines and sharp angles has never been more prominent than now. Concrete Art, unlike Abstract Art, refers to works that are free of symbolic features or meaning. Although the viewer of Adlersson’s works can draw certain visual parallels between her painted shapes and physical objects, her paintings are not necessarily a depiction of reality. Rather, they are compositions of lines, shapes and fields of colour in their own right that appeal to the senses in a direct and unmediated manner.
